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Overview
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Awards
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Award
Winning Poems
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All-India Poetry CompetitionOrganized
in collaboration with the British Council, India |
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The Poetry Society in collaboration with the British Council, India organsed nine All-India Poetry Competitions since 1988. Thousands of poets have participated in these competitions. Nine volumes of short listed poems were published under the series POETRY INDIA. The following are the names of the award-winners: |
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Third National Poetry Competition : 1991 The judges of the third All-India Poetry Competition were Mr. Peter Forbes, Editor, Poetry Review (London), Mr. J.P. Das, Mr. Nissim Ezekiel, Mr. Keshav Malik and Dr. Lakshmi Kannan. Dr. Neil Gilroy-Scott, First Secretary, Cultural Affairs, the British Council Division, and I, were the ex-officio members of the committee of judges. The Awards First
prize Rajlukshmee
Debee Bhattacharya (Pune) for her poem "Punarnava". Special
Prizes 1. Hemalatha Shetty (Madras) for his poem "The Archaka". 2.
Krishna Tateneni (Ohio, USA) for the poem "Re-Entry".
3. Sudeep Sen (New Delhi) for the poem "New York Times". Special
prize for a young poet: Ms. Shampa
Sinha (Australia) for the poem "The
Differences". Award Winning Poems |
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PUNARNAVA by Rajlukshmee Debee Bhattacharya (The Ever-renewing) (A creeper that renews itself, if you cut it: Jnanendramohan’s Bengali dictionary.) |
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"Punonnoba"-Punarnava? In some rainy month, did you decide to climb up our lichened wall, to reach the rusty tin-roof, transforming its shabbiness into velvet-green, to hang your emerald-pendants around the neck of our home? All knew the perennial Madhavilata; the fragrant Hasnuhana; queen of the night. They gaped when they saw you running wild on our roof – Velvet-green, strange, unknown. We shouted with glee, "It is Punonnoba … Punarnava." That you had medicinal properties that your juice soothes and heals we never knew till the Vaid sent his servant, a demon who expertly climbed our roof hacked away at its emerald-fringed coverlet! Oh the despair and the hope the running out in soaking rain to watch your extending tendrils, sprouting leaves, growing in greenness … Punarnava … eternal companion on the root-top. That home was left behind, as birth-strings snapped. A refugee, wanderer, I look for you, but no one here knows your name. No one knows a velvet-green medicinal creeper. Lost to me, Punarnava, your shade, your cool décor, your healing magic. |
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| THE ARCHAKA by Hemalatha Shetty | |||||
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Bone thin, in a tired dhoti clinging to his bare frame, he intoned the Vedas with the weariness of years, spent in placating Gods that were silent to melody and to man. Hungry eyes scann’d faces for the day’s alms- Meanwhile those Vedic verses recited by rote, mocked a deity de-mystified - Only in dreams he sought his God - without shape, without name, Someone who gave him, more than supper and shame. |
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| RE-ENTRY by Krishna Tateneni | |||||
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You’re going home, says the girl, so kiss me goodbye. I tell her this kiss is special- it has crawled out into the night from a cheap iron trunk rusting in a cobwebbed attic corner with storybooks and the rest of my childhood. I remember my sister ruffling my hair; how in bed after dad turned out the lights, she told me made-up funnies about Laurel and Hardy; how quarrels led to violent exchanges of words, pillows, and slippers; how I screamed at mother trying to talk me into unlocking the bathroom door, "Where you gonna find her a husband?" I dread the return to childhood; the opening of channels that have contracted into narrow veins; the rediscovery of home; the smelling of ghosts in familiar rooms with unfamiliar arrangements; the finding of the cleaned-out attic; the hovering above my head of the future. |
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| NEW YORK TIMES by Sudeep Sen | |||||
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Every morning I scurry through the streets of New York, turn around theavenue, pass the red and white awning of the Jewish deli, walk out with a bagel or croissant or spilled coffee, disappearing underground speeding in a subway of mute faces, barely bitten the bagel, barely unfolded The Times, barely awake. Before I realize, it’s lunch-time, and then late evening, being herded home with the flow of humankind, up and down elevators, escalators, staircases, and ramps. I’m back on the street again, late night, though early enough to glance at next morning’s paper. In this city, I count the passage of time only by weekends finked by five-day flashes I don’t even remember. In this city where walking means running, driving means speeding, there seem to exist many days in one, an ironical and oblique efficiency. But somewhere, somehow, time takes its toll, overburdened, over utilized, and malnourished, as the tunnels seeping under the river’s belly slowly cave in, the girders lose their tension like old dentures, and the underground rattles with the passing of every train. After all, how long can one stretch time? Illusions can lengthen, credit ratings strengthen, even Manhattan elongates with every land-fill, but not time, it takes its own sweet time the way it always has and always will, not a second more, not a second less. |
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| THE DIFFERENCE by Shampa Sinha | |||||
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The new housemaid came today- a tall slender dark-haired girl of twelve who wanders deer-like from room to room Untrained as yet she cannot control her fingers picks up, touches too much and stares without shame as if she had a right to Soon enough when she is allocated the space on the floor in the corner of the kitchen for her meals she will learn that though she may live with us and travel with us and clear away our dirt, there are distances, codes of conduct which must be observed at all times and, as she realises, that, because she was born more hungry than I her world cannot ever fuse with mine her eyes will stop gazing up at me and asking me why. |
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